CFF 2023 Interview – HOW TO GET MY PARENTS TO DIVORCE director Sandrine Brodeur-Desrosiers

“This film was very special and distinct from my other work. I had worked a lot with kids in my previous films, but these films were not necessarily for children. Although, the previous films had great lives in festivals (the short JUST ME AND YOU won the crystal bear at the Berlinale – awarded by […]

CFF 2023 Interview – POLARIZED director/writer Shamim Sarif

“My wife and producer Hanan and I both come from families who’ve experienced being immigrants. My family escaped apartheid, and of course Palestinians have often had to escape conflict. Right now we’re seeing a new hard line rhetoric about immigration all over the world. Therefore I wanted to explore what it might take for two […]

‘The Handmaiden’ is a Unique, Spellbindingly Complex Work of Film Noir

By: Tom Magennis In 2003, Park Chan-Wook’s Oldboy exploded into theaters, shocking western audiences with its complex narrative, eye-wateringly brutal violence, and the kind of twist that snaps your brain in half like a fresh breadstick. Oldboy went down in the history books as a defining work of East-Asian Film, it’s untouchability only solidified by […]

‘The Fate of the Furious’ is Utterly Ridiculous and That’s Okay

By: Daniel Chadwick-Shubat The Fate of the Furious is the eight installment in the Fast & Furious franchise and it’s understandable that some people are starting to be less interested in the series. I was in the group that believed that the way Furious 7 ended was a perfect way to end the series. Paul Walker’s death had a huge […]